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  1. Home /
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  3. Vol 26 (2018): Social TV Fandom and the Media Industries

Edited by Myles McNutt

Published: 2018-03-15

Editorial

  • Social TV fandom and the media industries
    Myles McNutt
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Praxis

  • Intersectional critique and social media activism in "Sleepy Hollow" fandom
    Jacquelyn Arcy, Zhana Johnson
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  • Must tweet TV: ABC's #TGIT and the cultural work of programming social television
    Eleanor Patterson
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  • Millennial fandom and the failures of "Switched at Birth"'s sexual assault education campaign
    Stephanie Anne Brown
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  • Interactions, emotions, and Earpers: "Wynonna Earp," the best fandom ever
    Jacinta Yanders
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Symposium

  • "The 100" and the social contract of social TV
    Myles McNutt
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  • How Brazilian Whovians influenced BBC's strategies through Twitter: Fifty years of "Doctor Who" and fan engagement
    Eloy Santos Vieira, Lilian Cristina Monteiro França
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  • "Please Like Me" and global TV flows
    Melanie E. S. Kohnen
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  • Facebook, Twitter, and the pivot to original content: From social TV to TV on social
    Cory Barker
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  • Fan reactions to "The Leftovers" and "Twin Peaks: The Return"
    Jake Pitre
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Interview

  • Interview with Flourish Klink
    TWC Editor
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Book review

  • Be him/have him: Brooker/Bowie
    Francesca Coppa
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  • "Controversies in digital ethics," edited by Amber Davisson and Paul Booth
    Anne Kustritz
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  • "Public relations and participatory culture," edited by A. L. Hutchins and N. T. J. Tindall
    Rhiannon Bury
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  • "The culture industry and participatory audiences," by Emma Keltie
    Mel Stanfill
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Transformative Works and Cultures (TWC, journal.transformativeworks.org), ISSN 1941-2258, is an online-only Gold Open Access publication of the nonprofit Organization for Transformative Works (OTW, transformativeworks.org). TWC abides by the OTW's Terms of Use and Privacy Policy (http://www.transformativeworks.org/otw_tos), which explain why and how we collect, use, and process information that you provide to us. TWC is licensed under the Creative Commons Attribution 4.0 International License (creativecommons.org/licenses/by/4.0/).

 

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