"The 100" and the social contract of social TV
DOI:
https://doi.org/10.3983/twc.2018.1297Keywords:
Clexa, Industry, LGBTQ, Social media, TwitterAbstract
I explore how the controversy surrounding an LGBT story line on The 100 (2014–) points to the shifting social contracts of social media engagement between fans and the TV industry, as well as the challenges faced by fans and critics who attempted to solidify that contract in the wake of said controversy.
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