Transformative Works and Cultures
Table of Contents
Editorial
| Spreadable fandom | HTML |
| TWC Editor |
Theory
| Metaphors we read by: People, process, and fan fiction | HTML |
| Juli J. Parrish |
| Sub*culture: Exploring the dynamics of a networked public | HTML |
| Simon Lindgren |
Praxis
| A Japanese media pilgrimage to a Tasmanian bakery | HTML |
| Craig Norris |
| Trans-cult-ural fandom: Desire, technology and the transformation of fan subjectivities in the Japanese female fandom of Hong Kong stars | HTML |
| Lori Hitchcock Morimoto |
| Fannish discourse communities and the construction of gender in "The X-Files" | HTML |
| Emily Regan Wills |
| Capital, dialogue, and community engagement—My Little Pony: Friendship Is Magic understood as an alternate reality game | HTML |
| Kevin Veale |
Symposium
| So bad it's good: The "kuso" aesthetic in "Troll 2" | HTML |
| Whitney Phillips |
| Translation, interpretation, fan fiction: A continuum of meaning production | HTML |
| Shannon K. Farley |
| Fan/dom: People, practices, and networks | HTML |
| Katherine E. Morrissey |
| Fandom, public, commons | HTML |
| Mel Stanfill |
Review
| "Spreadable media: Creating value and meaning in a networked culture," by Henry Jenkins, Sam Ford, and Joshua Green | HTML |
| Melissa A. Click |
| "Reclaiming fair use," by Patricia Aufderheide and Peter Jaszi | HTML |
| Josh Johnson |
| "Genre, reception, and adaptation in the 'Twilight' series," edited by Anne Morey | HTML |
| Amanda Georgeanne Retartha |
Transformative Works and Cultures (TWC), ISSN 1941-2258, is an online-only Gold Open Access publication of the nonprofit Organization for Transformative Works copyrighted under a Creative Commons Attribution-Noncommercial 3.0 Unported License. Contact the Editor with questions.