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  1. Home /
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  3. Vol. 11 (2012)

Vol. 11 (2012)

Published: 2012-09-15

Editorial

  • Authors and authorship

    TWC Editor
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Symposium

  • Queer bandom: A research journey in eight parts

    D. Wilson
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  • How a "Professionals" slash writer disrupts readers' expectations

    Sharon Wheeler
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  • A history of RPGs: Made by fans; played by fans

    Paul Mason
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  • Blogging and blooks: Communal authorship in a contemporary context

    Staci Stutsman
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Book review

  • "Digital fandom: New media studies," by Paul Booth

    Francesca Coppa
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  • "Legitimating television: Media convergence and cultural status," by Michael Z. Newman and Elana Levine

    Melanie E. S. Kohnen
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Theory

  • Fan fiction and the author in the early 17th century: The case of Sidney's "Arcadia"

    Natasha Simonova
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  • The mediation of fandom in Karin Giphart's "Maak me blij"

    Nicolle Lamerichs
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  • "Queer as Folk" and the trouble with slash

    Kyra Hunting
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Praxis

  • "But this is my story and this is how I wanted to write it": Author’s notes as a fannish claim to power in fan fiction writing

    Alexandra Elisabeth Herzog
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  • Lip dubbing on YouTube: Participatory culture and cultural globalization

    Mark C. Lashley
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  • Performing self, performing character: Exploring gender performativity in online role-playing games

    Heather Osborne
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Information

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Transformative Works and Cultures (TWC), ISSN 1941-2258, is an online-only Diamond Open Access publication of the nonprofit Organization for Transformative Works (OTW). TWC abides by the OTW Terms of Service, which explain why and how we collect, use, and process information that you provide to us. TWC uses the Creative Commons Attribution 4.0 International (CC BY 4.0) license.

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