African American acafandom and other strangers: New genealogies of fan studies
Keywords:Antifan, Audiences, Black studies, Cultural criticism, Race
Because scholars have paid insufficient attention to race in fan studies, a new genealogy of fan studies is needed, one that includes different kinds of primary and secondary texts that have explored responses of black fans. There is a rich history of black fan criticism and acafandom that has never been seen as such but that both complements and complicates current definitions and paradigms in fan studies. Discussions of fan otherness, antifandom, and fan ambivalence explore the difference that the inclusion of African American cultural criticism would make to both canonical scholarship and more recently published work in the field.
TWC Nos. 25 onward are licensed under a Creative Commons Attribution 4.0 International License (CC by 4.0). For an explanation of the journal's reasoning, see the TWC editorial Copyright and Open Access. TWC Nos. 1 through 24 are licensed under a Creative Commons Attribution-NonCommercial 3.0 Unported (CC BY-NC 3.0) license, with TWC, not the author, retaining copyright.
Presses whose policies require written permission for reproduction should contact the TWC Editor; such permission is routinely given for no fee.