"edmund is trans he told me himself": Recognition in transgender Shakespeare fan fiction
DOI:
https://doi.org/10.3983/twc.2023.2421Keywords:
Adaptation, Identity, King Lear, Reimagining, TransmasculinityAbstract
Recent years have seen a rise in transgender fiction—especially transgender fan fiction. In the latter practice, we find characters reimagined as transgender subjects with their unique circumstances remolded or recontextualized to make sense as a trans* narrative. This is a look at the process of recognition taking place in the creation of these works of fan fiction—both in the way of recognizing a character's suitability to carry transgender meaning and in how recognition plays a part in the transgender narrative presented.
Downloads
Published
Issue
Section
License
Copyright (c) 2023 Yves Herak
This work is licensed under a Creative Commons Attribution 4.0 International License.
TWC Nos. 25 onward are licensed under a Creative Commons Attribution 4.0 International License (CC by 4.0). For an explanation of the journal's reasoning, see the TWC editorial Copyright and Open Access. TWC Nos. 1 through 24 are licensed under a Creative Commons Attribution-NonCommercial 3.0 Unported (CC BY-NC 3.0) license, with TWC, not the author, retaining copyright.
Presses whose policies require written permission for reproduction should contact the TWC Editor; such permission is routinely given for no fee.
