Binding fan fiction and reexamining book production models
DOI:
https://doi.org/10.3983/twc.2022.2129Keywords:
Book history, Fan binding, Fic binding, Gift economyAbstract
Binding fan fiction into books is an increasingly popular phenomenon that follows in the footsteps of twentieth-century fanzines and challenges the current perception of fic as an exclusively digital form. Fan binders complicate book historical notions of bookmaking as a commercially driven enterprise by infusing it with affective connotations that rearrange the book production model of Robert Darnton's communication circuit. The notion of a fan fiction communication circuit extends Darnton's model to account for the noncommercial, reciprocal practices of fan fiction production. Members of Renegade Bindery, a community of fan binders on Discord, provide testimony regarding their philosophy, technique, and motivation that paints a complex picture of contemporary private bookbinding practices that construes value for printed works through affective labor rather than commercial return.
Downloads
Additional Files
Published
Issue
Section
License
Copyright (c) 2022 Shira Belen Buchsbaum
This work is licensed under a Creative Commons Attribution 4.0 International License.
TWC Nos. 25 onward are licensed under a Creative Commons Attribution 4.0 International License (CC by 4.0). For an explanation of the journal's reasoning, see the TWC editorial Copyright and Open Access. TWC Nos. 1 through 24 are licensed under a Creative Commons Attribution-NonCommercial 3.0 Unported (CC BY-NC 3.0) license, with TWC, not the author, retaining copyright.
Presses whose policies require written permission for reproduction should contact the TWC Editor; such permission is routinely given for no fee.