Self-identification in Malaysian cosplay
DOI:
https://doi.org/10.3983/twc.2020.1771Keywords:
Costume play, Ethnicity, Fan conventions, Interviews, Japanese popular cultureAbstract
To examine cosplay (costume play) as performed by non-Japanese cosplayers, video interviews were conducted at five Japanese popular culture conventions in Malaysia. Analysis of descriptions made by 158 cosplayers reveals cosplay to function as a medium for the process of self-identification. Cosplay enables Malaysians to explore individual rather than collective identities and to experience fluidity and dilemma in self-identification as they translate fictional characters into their physical world. Although ethnicity seems not to prevail in their cosplay, it appears not to have totally vanished.
Downloads
Published
Issue
Section
License
Copyright (c) 2020 Eriko Yamato
This work is licensed under a Creative Commons Attribution 4.0 International License.
TWC Nos. 25 onward are licensed under a Creative Commons Attribution 4.0 International License (CC by 4.0). For an explanation of the journal's reasoning, see the TWC editorial Copyright and Open Access. TWC Nos. 1 through 24 are licensed under a Creative Commons Attribution-NonCommercial 3.0 Unported (CC BY-NC 3.0) license, with TWC, not the author, retaining copyright.
Presses whose policies require written permission for reproduction should contact the TWC Editor; such permission is routinely given for no fee.