Methodological model for fictocritical fan fiction as research

Authors

  • Shayla Olsen University of Southern Queensland

DOI:

https://doi.org/10.3983/twc.2020.1639

Keywords:

Autoethnography, Creative work, Exegesis, Fictocriticism, Practice-led

Abstract

Distanced and objective research methodologies that generate a divide between the practitioner and their practice present a need for an authentic model that is more representative of the immersive, connected, and subjective experience of the writer-researcher. Fictocritical fan fiction as research methodology suggests a means of investigating the field of fan fiction studies from within through engagement in the practice of fan fiction itself. An exemplar study of X-Files (1993–2018) fandom shows how the creative researcher may authentically engage in fandom research and fan fiction practice while maintaining the necessary level of rigor appropriate for research.

Downloads

Published

2020-06-15

Issue

Vol. 33 (2020): Fan Studies Methodologies

Section

Symposium

License

TWC Nos. 25 onward are licensed under a Creative Commons Attribution 4.0 International License (CC by 4.0). For an explanation of the journal's reasoning, see the TWC editorial Copyright and Open Access. TWC Nos. 1 through 24 are licensed under a Creative Commons Attribution-NonCommercial 3.0 Unported (CC BY-NC 3.0) license, with TWC, not the author, retaining copyright.

Presses whose policies require written permission for reproduction should contact the TWC Editor; such permission is routinely given for no fee.