Theater criticism, "Harry Potter and the Cursed Child," and online community
Abstract
After summarizing initial research into the UK's theater blogging communities, I present some early observations about amateur theater critics writing from within and outside fandom. From my multiple perspectives as Tumblr user, blogger, theater fan, and academic, I consider the way those who respond to Harry Potter and the Cursed Child (2016) on Tumblr display similar behaviors to those who maintain general theater review blogs, with both groups appearing to organize and distinguish themselves according to strict codes of ethics, ways of working, and markers of taste.
Copyright (c) 2018 Megan Vaughan

This work is licensed under a Creative Commons Attribution 4.0 International License.
TWC Nos. 25 onward are licensed under a Creative Commons Attribution 4.0 International License. For an explanation of the journal's reasoning, see the editorial, Copyright and Open Access.
TWC Nos. 1 through 24 are licensed under the Creative Commons Attribution-Noncommercial 3.0 Unported License with TWC, not the author, retaining copyright. For more information, see the Copyright Section.