Bisexual erasure in queer sci-fi "utopias"

Authors

  • Victoria Serafini California State University, Fullerton

DOI:

https://doi.org/10.3983/twc.2017.01001

Keywords:

Science fiction, Television

Abstract

I discuss the paradoxes of queer representation in contemporary science fiction television by analyzing bisexual female protagonists of the CW's The 100 (2014–), BBC America's Orphan Black (2013–), and SyFy's Wynonna Earp (2016–). Queer female fans engage in femslash to make sense of the utopic intentions of executive producers who attempt to create better queer representation through labelless premises that de-emphasize queerness.
Lexa as a haloed saint, with social media icons surrounding her

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Published

2017-06-15

How to Cite

Serafini, V. (2017). Bisexual erasure in queer sci-fi "utopias". Transformative Works and Cultures, 24. https://doi.org/10.3983/twc.2017.01001

Issue

Vol. 24 (2017)

Section

Symposium

License

TWC Nos. 25 onward are licensed under a Creative Commons Attribution 4.0 International License (CC by 4.0). For an explanation of the journal's reasoning, see the TWC editorial Copyright and Open Access. TWC Nos. 1 through 24 are licensed under a Creative Commons Attribution-NonCommercial 3.0 Unported (CC BY-NC 3.0) license, with TWC, not the author, retaining copyright.

Presses whose policies require written permission for reproduction should contact the TWC Editor; such permission is routinely given for no fee.