Transformative Works and Cultures
Table of Contents
Editorial
| Authors and authorship | HTML |
| TWC Editor |
Theory
| Fan fiction and the author in the early 17th century: The case of Sidney's "Arcadia" | HTML |
| Natasha Simonova |
| The mediation of fandom in Karin Giphart's "Maak me blij" | HTML |
| Nicolle Lamerichs |
| "Queer as Folk" and the trouble with slash | HTML |
| Kyra Hunting |
Praxis
| "But this is my story and this is how I wanted to write it": Author’s notes as a fannish claim to power in fan fiction writing | HTML |
| Alexandra Elisabeth Herzog |
| Lip dubbing on YouTube: Participatory culture and cultural globalization | HTML |
| Mark C. Lashley |
| Performing self, performing character: Exploring gender performativity in online role-playing games | HTML |
| Heather Osborne |
Symposium
| Queer bandom: A research journey in eight parts | HTML |
| D. Wilson |
| How a "Professionals" slash writer disrupts readers' expectations | HTML |
| Sharon Wheeler |
| A history of RPGs: Made by fans; played by fans | HTML |
| Paul Mason |
| Blogging and blooks: Communal authorship in a contemporary context | HTML |
| Staci Stutsman |
Review
| "Digital fandom," by Paul Booth | HTML |
| Francesca Coppa |
| "Legitimating television," by Michael Z. Newman and Elana Levine | HTML |
| Melanie E. S. Kohnen |
Transformative Works and Cultures (TWC), ISSN 1941-2258, is an online-only Gold Open Access publication of the nonprofit Organization for Transformative Works copyrighted under a Creative Commons Attribution-Noncommercial 3.0 Unported License. Contact the Editor with questions.