Transformative Works and Cultures
| Issue | Title | |
| Vol 13 (2013) | /Co/operation and /co/mmunity in /co/mics: 4chan's Hypercrisis | Abstract HTML |
| Tim Bavlnka | ||
| Vol 16 (2014) | Anime's media mix: Franchising toys and characters in Japan, by Marc Steinberg | Abstract HTML |
| Brandeise Monk-Payton | ||
| Vol 15 (2014) | Chuck versus the ratings: Savvy fans and "save our show" campaigns | Abstract HTML |
| Christina Savage | ||
| Vol 15 (2014) | Cognitive capitalism, education, and digital labor, edited by Michael A. Peters and Ergin Bulut | Abstract HTML |
| Simone D. Becque | ||
| Vol 16 (2014) | Cult collectors: Nostalgia, fandom and collecting popular culture, by Lincoln Geraghty | Abstract HTML |
| Michael S. Duffy | ||
| Vol 15 (2014) | Digital labor: The Internet as playground and factory, edited by Trebor Scholz | Abstract HTML |
| Stephanie Anne Brown | ||
| Vol 15 (2014) | Gaga feminism: Sex, gender, and the end of normal, by J. Jack Halberstam | Abstract HTML |
| Anne Kustritz | ||
| Vol 16 (2014) | Send in the clones: A cultural study of the tribute band, by Georgina Gregory | Abstract HTML |
| Sun-ha Hong | ||
| Vol 15 (2014) | Veronica Mars Kickstarter and crowd funding | Abstract HTML |
| Bertha Chin, Bethan Jones, Myles McNutt, Luke Pebler | ||
| Vol 4 (2010) | A box of mirrors, a unicorn, and a pony | Details HTML |
| Jules Wilkinson | ||
| Vol 6 (2011) | "A comics studies reader," edited by Jeet Heer and Kent Worcester | Details HTML |
| Geoffrey Long | ||
| Vol 6 (2011) | A conversation with Paula Smith | Details HTML |
| Cynthia W. Walker | ||
| Vol 11 (2012) | A history of RPGs: Made by fans; played by fans | Details HTML |
| Paul Mason | ||
| Vol 9 (2012) | A history of subversive remix video before YouTube: Thirty political video mashups made between World War II and 2005 | Details HTML |
| Jonathan McIntosh | ||
| Vol 14 (2013) | A Japanese media pilgrimage to a Tasmanian bakery | Abstract HTML |
| Craig Norris | ||
| Vol 3 (2009) | "A Jedi like my father before me": Social identity and the New York Comic Con | Details HTML |
| Jen Gunnels | ||
| Vol 16 (2014) | A pragmatics of things: Materiality and constraint in fan practices | Abstract HTML |
| Benjamin Woo | ||
| Vol 9 (2012) | Abridged series and fandom remix culture | Details HTML |
| Zephra Doerr | ||
| Vol 8 (2011) | "Adolescents and online fan fiction," by Rebecca Black | Details HTML |
| Laurie B. Cubbison | ||
| Vol 6 (2011) | An archive of one's own: Subcultural creativity and the politics of conservation | Details HTML |
| Alexis Lothian | ||
| Vol 2 (2009) | An examination of living through enjoyment: Live-action role-play | Details HTML |
| Amanda Odom | ||
| Vol 1 (2008) | And now, a word from the amateurs | Details HTML |
| Dana L. Bode | ||
| Vol 4 (2010) | Annihilating love and heterosexuality without women: Romance, generic difference, and queer politics in "Supernatural" fan fiction | Abstract HTML |
| Monica Flegel, Jenny Roth | ||
| Vol 11 (2012) | Authors and authorship | Details HTML |
| TWC Editor | ||
| Vol 5 (2010) | Autobiographical reasoning in long-term fandom | Abstract HTML |
| C. Lee Harrington, Denise D. Bielby | ||
| Vol 5 (2010) | Becky is my hero: The power of laughter and disruption in "Supernatural" | Details HTML |
| Judith May Fathallah | ||
| Vol 10 (2012) | Being of service: "X-Files" fans and social engagement | Abstract HTML |
| Bethan Jones | ||
| Vol 15 (2014) | Better Badges: Image as virus | Abstract HTML |
| Joly MacFie | ||
| Vol 2 (2009) | "Beyond Barbie and Mortal Kombat: New perspectives on gender and gaming," edited by Yasmin B. Kafai et al. | Details HTML |
| Gina Serafin-Persson | ||
| Vol 16 (2014) | Beyond souvenirs: Making fannish items by hand | Abstract HTML |
| Dana Sterling Bode | ||
| Vol 11 (2012) | Blogging and blooks: Communal authorship in a contemporary context | Details HTML |
| Staci Stutsman | ||
| Vol 6 (2011) | Bowlers, ballads, bells, and blasters: Living history and fandom | Details HTML |
| Mark Soderstrom | ||
| Vol 6 (2011) | "Boys' love manga: Essays on the sexual ambiguity and cross-cultural fandom of the genre," edited by Antonia Levi, Mark McHarry, and Dru Pagliassotti | Details HTML |
| Nele Noppe | ||
| Vol 11 (2012) | "But this is my story and this is how I wanted to write it": Author’s notes as a fannish claim to power in fan fiction writing | Abstract HTML |
| Alexandra Elisabeth Herzog | ||
| Vol 3 (2009) | "Camgirls: Celebrity and community in the age of social networks," by Theresa M. Senft | Details HTML |
| Adriano Barone | ||
| Vol 14 (2013) | Capital, dialogue, and community engagement—My Little Pony: Friendship Is Magic understood as an alternate reality game | Abstract HTML |
| Kevin Veale | ||
| Vol 13 (2013) | Captain America and fans' political activity | Abstract HTML |
| Forrest Phillips | ||
| Vol 13 (2013) | "Comic books and American cultural history: An anthology," edited by Matthew Pustz | Abstract HTML |
| Daniel Stein | ||
| Vol 5 (2010) | "Coming of age in 'Second Life': An anthropologist explores the virtually human," by Tom Boellstorff | Details HTML |
| Adi Kuntsman | ||
| Vol 4 (2010) | "Contemporary Gothic," by Catherine Spooner | Details HTML |
| Martin Fradley | ||
| Vol 16 (2014) | Cosplaying the media mix: Examining Japan's media environment, its static forms, and its influence on cosplay | Abstract HTML |
| Matthew Ogonoski | ||
| Vol 7 (2011) | Critics, Fans, Scholars and Survival Horror: A Genre Case Study | Abstract |
| Wendi A Sierra | ||
| Vol 10 (2012) | "Cultural acupuncture": Fan activism and the Harry Potter Alliance | Abstract HTML |
| Henry Jenkins | ||
| Vol 7 (2011) | Culturally mapping universes: Fan production as ethnographic fragments | Abstract HTML |
| Jen Gunnels, Carrie J. Cole | ||
| Vol 1 (2008) | "Cyberspaces of their own," by Rhiannon Bury | Details HTML |
| Katarina Maria Hjärpe | ||
| Vol 7 (2011) | Delegitimizing strategic power: Normative identity and governance in online R.E.M. fandom | Abstract HTML |
| Lucy Bennett | ||
| Vol 9 (2012) | Desiree D'Alessandro and Diran Lyons bear arms: Weapons of mass transformation | Details HTML |
| Desiree D'Alessandro, Diran Lyons | ||
| Vol 2 (2009) | Diane E. Levin: Child's play as transformative work | Details HTML |
| TWC Editor | ||
| Vol 11 (2012) | "Digital fandom," by Paul Booth | Abstract HTML |
| Francesca Coppa | ||
| Vol 9 (2012) | Documenting the vidders: A conversation with Bradcpu | Details |
| Elizabeth Moulton | ||
| Vol 9 (2012) | Documenting the vidders: A conversation with Bradcpu | Details HTML |
| . Counteragent | ||
| Vol 8 (2011) | Doing fandom, (mis)doing whiteness: Heteronormativity, racialization, and the discursive construction of fandom | Abstract HTML |
| Mel Stanfill | ||
| Vol 12 (2013) | Doing Occidentalism in contemporary Japan: Nation anthropomorphism and sexualized parody in "Axis Powers Hetalia" | Abstract HTML |
| Toshio Miyake | ||
| Vol 2 (2009) | "Dungeons & Dragons": The gamers are revolting! | Details HTML |
| Rebecca Bryant | ||
| Vol 13 (2013) | Earth 616, Earth 1610, Earth 3490—Wait, what universe is this again? The creation and evolution of the Avengers and Captain America/Iron Man fandom | Abstract HTML |
| Catherine Coker | ||
| Vol 7 (2011) | Editorial policies, "public domain," and acafandom | Details HTML |
| Francesca Musiani | ||
| Vol 8 (2011) | Editorial: Race and ethnicity in fandom | Details HTML |
| Sarah N. Gatson, Robin Anne Reid | ||
| Vol 8 (2011) | Editorial: Textual echoes | Details HTML |
| ~ Cyber Echoes | ||
| Vol 1 (2008) | "Emotions-Only" versus "Special People": Genre in fan discourse | Abstract HTML |
| Louisa Ellen Stein | ||
| Vol 2 (2009) | Endless loop: A brief history of chiptunes | Abstract HTML |
| Kevin Driscoll, Joshua Diaz | ||
| Vol 10 (2012) | Even a monkey can understand fan activism: Political speech, artistic expression, and a public for the Japanese dôjin community | Abstract HTML |
| Alex Leavitt, Andrea Horbinski | ||
| Vol 6 (2011) | Excerpt from "IRL (In Real Life): The Bronze Documentary Project" | Details HTML |
| Stephanie Tuszynski | ||
| Vol 16 (2014) | Exhibiting fandom: A museological perspective | Abstract HTML |
| Dorus Hoebink, Stijn Reijnders, Abby Waysdorf | ||
| Vol 10 (2012) | Experiencing fan activism: Understanding the power of fan activist organizations through members' narratives | Abstract HTML |
| Neta Kligler-Vilenchik, Joshua McVeigh-Schultz, Christine Weitbrecht, Chris Tokuhama | ||
| Vol 5 (2010) | Exploring the body | Details HTML |
| TWC Editor | ||
| Vol 3 (2009) | Extending transformation | Details HTML |
| TWC Editor | ||
| Vol 9 (2012) | Fake and fan film trailers as incarnations of audience anticipation and desire | Abstract HTML |
| Kathleen Amy Williams | ||
| Vol 10 (2012) | Fan action and political participation on "The Colbert Report" | Abstract HTML |
| Marcus Schulzke | ||
| Vol 10 (2012) | Fan activism, cybervigilantism, and Othering mechanisms in K-pop fandom | Abstract HTML |
| Sun Jung | ||
| Vol 10 (2012) | Fan activism for social mobilization: A critical review of the literature | Details HTML |
| Lucy Bennett | ||
| Vol 10 (2012) | "Fan fiction and copyright: Outside works and intellectual property protection," by Aaron Schwabach | Details HTML |
| Stacey Marie Lantagne | ||
| Vol 11 (2012) | Fan fiction and the author in the early 17th century: The case of Sidney's "Arcadia" | Abstract HTML |
| Natasha Simonova | ||
| Vol 5 (2010) | Fan filmmaking and copyright in a global world: "Warhammer 40,000" fan films and the case of "Damnatus" | Abstract HTML |
| John Walliss | ||
| Vol 1 (2008) | Fan labor audio feature introduction | Details HTML |
| Bob Rehak | ||
| Vol 15 (2014) | Fan work: Labor, worth, and participation in fandom's gift economy | Abstract HTML |
| Tisha Turk | ||
| Vol 14 (2013) | Fan/dom: People, practices, and networks | Abstract HTML |
| Katherine E. Morrissey | ||
| Vol 9 (2012) | Fan/remix video (a remix) | Details HTML |
| Julie Levin Russo, Francesca Coppa | ||
| Vol 13 (2013) | Fandom and male privilege: Seven years later | Abstract HTML |
| Rebecca Lucy Busker | ||
| Vol 15 (2014) | Fandom and/as labor | Abstract HTML |
| Mel Stanfill, Megan Condis | ||
| Vol 8 (2011) | Fandom as industrial response: Producing identity in an independent Web series | Abstract HTML |
| Aymar Jean Christian | ||
| Vol 10 (2012) | Fandom meets activism: Rethinking civic and political participation | Abstract HTML |
| Melissa M. Brough, Sangita Shresthova | ||
| Vol 14 (2013) | Fandom, public, commons | Abstract HTML |
| Mel Stanfill | ||
| Vol 5 (2010) | Fandom squared: Web 2.0 and fannish production | Details HTML |
| Jeff Watson | ||
| Vol 13 (2013) | Fangirls in refrigerators: The politics of (in)visibility in comic book culture | Abstract HTML |
| Suzanne Scott | ||
| Vol 14 (2013) | Fannish discourse communities and the construction of gender in "The X-Files" | Abstract HTML |
| Emily Regan Wills | ||
| Vol 7 (2011) | Fannish preferences | Details HTML |
| TWC Editor | ||
| Vol 1 (2008) | "Fans: The mirror of consumption," by Cornel Sandvoss | Details HTML |
| Eve Marie Taggart | ||
| Vol 15 (2014) | Fifty shades of fan labor: Exploitation and Fifty Shades of Grey | Abstract HTML |
| Bethan Jones | ||
| Vol 5 (2010) | Fighting the fan sub war: Conflicts between media rights holders and unauthorized creator/distributor networks | Abstract HTML |
| Mikhail Koulikov | ||
| Vol 16 (2014) | Fitting Glee in your mailbox | Abstract HTML |
| . wordplay | ||
| Vol 10 (2012) | Flash activism: How a Bollywood film catalyzed civic justice toward a murder trial | Details HTML |
| Ritesh Mehta | ||
| Vol 9 (2012) | Fred rant | Details HTML |
| Alexandra Juhasz | ||
| Vol 4 (2010) | From canon to fanon and back again: The epic journey of "Supernatural" and its fans | Details HTML |
| Melissa Gray | ||
| Vol 16 (2014) | From Dalek half balls to Daft Punk helmets: Mimetic fandom and the crafting of replicas | Abstract HTML |
| Matt Hills | ||
| Vol 5 (2010) | From the edges to the center: Disability, "Battlestar Galactica," and fan fiction | Details HTML |
| - sasha_feather | ||
| Vol 2 (2009) | Game over: Asian Americans and video game representation | Details HTML |
| Thien-bao Thuc Phi | ||
| Vol 2 (2009) | Games as transformative works | Details HTML |
| Rebecca Carlson | ||
| Vol 9 (2012) | Genesis of the digital anime music video scene, 1990–2001 | Details HTML |
| Ian Roberts | ||
| Vol 14 (2013) | "Genre, reception, and adaptation in the 'Twilight' series," edited by Anne Morey | Abstract HTML |
| Amanda Georgeanne Retartha | ||
| Vol 7 (2011) | H/c and me: An autoethnographic account of a troubled love affair | Details HTML |
| Judith May Fathallah | ||
| Vol 4 (2010) | "Haunting experiences: Ghosts in contemporary folklore," by Diane E. Goldstein et al. | Details HTML |
| Linda Levitt | ||
| Vol 4 (2010) | "Hey, check it out, there's actually fans": (Dis)empowerment and (mis)representation of cult fandom in "Supernatural" | Abstract HTML |
| Laura E. Felschow | ||
| Vol 6 (2011) | History and fandom | Details HTML |
| TWC Editor | ||
| Vol 11 (2012) | How a "Professionals" slash writer disrupts readers' expectations | Details HTML |
| Sharon Wheeler | ||
| Vol 6 (2011) | "I'm Buffy, and you're history": Putting fan studies into history | Abstract HTML |
| Nancy Reagin, Anne Rubenstein | ||
| Vol 4 (2010) | "I'm glad we got burned, think of all the things we learned": Fandom conflict and context in Counteragent's "Still Alive" | Details HTML |
| Katharina Freund | ||
| Vol 3 (2009) | Identity and authenticity in the filk community | Abstract HTML |
| Melissa L. Tatum | ||
| Vol 10 (2012) | Imagining No-place | Details HTML |
| Stephen Duncombe | ||
| Vol 4 (2010) | "In the hunt: Unauthorized essays on 'Supernatural,'" edited by Supernatural.tv | Details HTML |
| Alysa Hornick | ||
| Vol 4 (2010) | Infernal redemption | Details HTML |
| Babak Zarin | ||
| Vol 5 (2010) | Inside Scanlation | Details HTML |
| Alex Leavitt | ||
| Vol 3 (2009) | Interview with Chris Bouchard | Details HTML |
| Emma Dollard | ||
| Vol 13 (2013) | Interview with comics artist Lee Weeks | Abstract HTML |
| Matthew J. Costello | ||
| Vol 2 (2009) | Interview with Doris C. Rusch | Details HTML |
| Clara Fernández-Vara | ||
| Vol 5 (2010) | Interview with Elisa Kreisinger | Details HTML |
| Francesca Coppa | ||
| Vol 9 (2012) | Interview with Eric Faden and Nina Paley | Details HTML |
| Brett Boessen | ||
| Vol 1 (2008) | Interview with Henry Jenkins | Details HTML |
| TWC Editor | ||
| Vol 5 (2010) | Interview with Jo Graham, Melissa Scott, and Martha Wells | Details HTML |
| TWC Editor | ||
| Vol 16 (2014) | Interview with Kandy Fong | Abstract HTML |
| Francesca Coppa | ||
| Vol 4 (2010) | Interview with Keith R. A. DeCandido | Details HTML |
| Catherine Tosenberger | ||
| Vol 16 (2014) | Interview with Mark Racop | Abstract HTML |
| Matt Yockey | ||
| Vol 3 (2009) | Interview with Mark Smith and Denise Paolucci | Details HTML |
| zvi LikesTV | ||
| Vol 2 (2009) | Interview with Paul Marino | Details HTML |
| Geoffrey Long | ||
| Vol 6 (2011) | Interview with Robert DeSimone | Details HTML |
| Jen Gunnels | ||
| Vol 6 (2011) | Interview with Rusty Hevelin | Details HTML |
| Sarah Elizabeth Bewley | ||
| Vol 6 (2011) | Interview with Sandy and Rache ("The Clucking Belles") | Details HTML |
| Francesca Coppa | ||
| Vol 1 (2008) | Interview with the Audre Lorde of the Rings | Details HTML |
| TWC Editor | ||
| Vol 4 (2010) | Interview with the Super-wiki admin team | Details HTML |
| Deborah Kaplan | ||
| Vol 2 (2009) | Interview with Tony O’Driscoll | Details HTML |
| TWC Editor | ||
| Vol 3 (2009) | Interview with Verb Noire | Details HTML |
| K. Tempest Bradford | ||
| Vol 4 (2010) | Interview with Wincon organizer Ethrosdemon | Details HTML |
| TWC Editor | ||
| Vol 1 (2008) | Interview with Wu Ming | Details HTML |
| Veruska Sabucco | ||
| Vol 2 (2009) | Intrinsic motivation: "flOw," video games, and participatory culture | Details HTML |
| Braxton Soderman | ||
| Vol 3 (2009) | "Introduction to Japanese horror film," by Colette Balmain | Details HTML |
| Alessia Alfieroni | ||
| Vol 16 (2014) | It's not all about the music: Online fan communities and collecting Hard Rock Café pins | Abstract HTML |
| Lincoln Geraghty | ||
| Vol 6 (2011) | John Lennon, autograph hound: The fan-musician community in Hamburg's early rock-and-roll scene, 1960–65 | Abstract HTML |
| Julia Sneeringer | ||
| Vol 4 (2010) | "Kinda like the folklore of its day": "Supernatural," fairy tales, and ostension | Abstract HTML |
| Catherine Tosenberger | ||
| Vol 8 (2011) | K-pop, Indonesian fandom, and social media | Abstract HTML |
| Sun Jung | ||
| Vol 11 (2012) | "Legitimating television," by Michael Z. Newman and Elana Levine | Abstract HTML |
| Melanie E. S. Kohnen | ||
| Vol 4 (2010) | "Let's get those Winchesters pregnant": Male pregnancy in "Supernatural" fan fiction | Abstract HTML |
| Berit Åström | ||
| Vol 7 (2011) | Lifting the curse: Pearl Jam’s "Alive" and "Bushleaguer" and the marketplace of meanings | Abstract HTML |
| Kristine Weglarz | ||
| Vol 11 (2012) | Lip dubbing on YouTube: Participatory culture and cultural globalization | Abstract HTML |
| Mark C. Lashley | ||
| Vol 4 (2010) | Love! Valor! "Supernatural"! | Details HTML |
| Catherine Tosenberger | ||
| Vol 2 (2009) | Maps of many worlds: Remembering computer game fandom in the 1980s | Details HTML |
| Will Brooker | ||
| Vol 5 (2010) | "Masculinity and popular television," by Rebecca Feasey | Details HTML |
| Lindsay Bernhagen | ||
| Vol 9 (2012) | Mashup as temporal amalgam: Time, taste, and textuality | Abstract HTML |
| Paul J. Booth | ||
| Vol 8 (2011) | Masochist or machiavel? Reading Harley Quinn in canon and fanon | Abstract HTML |
| Kate Ellen Roddy | ||
| Vol 16 (2014) | Materiality and object-oriented fandom | Abstract HTML |
| Bob Rehak | ||
| Vol 5 (2010) | "May the journey continue": "Earth 2" fan fiction, or Filling in gaps to revive a canceled series | Abstract HTML |
| Francesca Musiani | ||
| Vol 12 (2013) | "Mechademia Vol. 6: User Enhanced," edited by Frenchy Lunning | Abstract HTML |
| Samantha Anne Close | ||
| Vol 14 (2013) | Metaphors we read by: People, process, and fan fiction | Abstract HTML |
| Juli J. Parrish | ||
| Vol 15 (2014) | Modding a free and open source software video game: "Play testing is hard work" | Abstract HTML |
| Giacomo Poderi, David James Hakken | ||
| Vol 4 (2010) | Monstrous melodrama: Expanding the scope of melodramatic identification to interpret negative fan responses to "Supernatural" | Abstract HTML |
| Lisa Schmidt | ||
| Vol 10 (2012) | Nerdfighters, "Paper Towns," and heterotopia | Abstract HTML |
| Lili Wilkinson | ||
| Vol 1 (2008) | Nothing but Net: When cultures collide | Details HTML |
| Cathy Cupitt | ||
| Vol 13 (2013) | "Of comics and men: A cultural history of American comic books," by Jean-Paul Gabilliet | Abstract HTML |
| Drew Morton | ||
| Vol 10 (2012) | Of snowspeeders and Imperial Walkers: Fannish play at the Wisconsin protests | Details HTML |
| Jonathan Gray | ||
| Vol 3 (2009) | On productivity and game fandom | Abstract HTML |
| Hanna Wirman | ||
| Vol 1 (2008) | On symposia: LiveJournal and the shape of fannish discourse | Details HTML |
| Rebecca Lucy Busker | ||
| Vol 10 (2012) | On the ordinariness of participatory culture | Details HTML |
| Aswin Punathambekar | ||
| Vol 12 (2013) | On the response (or lack thereof) of Japanese fans to criticism that "yaoi" is antigay discrimination | Details HTML |
| Akiko Hori | ||
| Vol 8 (2011) | One true threesome: Reconciling canon and fan desire in "Star Trek: Voyager" | Abstract HTML |
| Bridget Kies | ||
| Vol 8 (2011) | Outside oneself in "World of Warcraft": Gamers' perception of the racial self-other | Abstract HTML |
| Thomas D. Rowland, Amanda C. Barton | ||
| Vol 1 (2008) | Ownership, authority, and the body: Does antifanfic sentiment reflect posthuman anxiety? | Abstract HTML |
| Madeline Ashby | ||
| Vol 1 (2008) | Painful pleasures: Sacrifice, consent, and the resignification of BDSM symbolism in "The Story of O" and "The Story of Obi" | Abstract HTML |
| Anne Kustritz | ||
| Vol 1 (2008) | Participatory democracy and Hillary Clinton’s marginalized fandom | Abstract HTML |
| Abigail De Kosnik | ||
| Vol 10 (2012) | "Past the brink of tacit support": Fan activism and the Whedonverses | Abstract HTML |
| Tanya R. Cochran | ||
| Vol 3 (2009) | Pattern recognition: A dialogue on racism in fan communities | Details HTML |
| TWC Editor | ||
| Vol 11 (2012) | Performing self, performing character: Exploring gender performativity in online role-playing games | Abstract HTML |
| Heather Osborne | ||
| Vol 16 (2014) | Peril-sensitive sunglasses, superheroes in miniature, and pink polka-dot boxers: Artifact and collectible video game feelies, play, and the paratextual gaming experience | Abstract HTML |
| Ian M. Peters | ||
| Vol 7 (2011) | "Personal connections in the digital age," by Nancy K. Baym | Details HTML |
| Elizabeth Ellcessor | ||
| Vol 2 (2009) | Playing Sue | Details HTML |
| Julia Beck, Frauke Herrling | ||
| Vol 3 (2009) | Playing [with] multiple roles: Readers, authors, and characters in "Who Is Blaise Zabini?" | Details HTML |
| Anne Collins Smith | ||
| Vol 13 (2013) | Pornographic space-time and the potential of fantasy in comics and fan art | Abstract HTML |
| Lyndsay Brown | ||
| Vol 4 (2010) | "Pretend we're dead," by Annalee Newitz | Details HTML |
| Christopher M. Moreman | ||
| Vol 3 (2009) | "Pride and prejudice and zombies: The classic Regency romance—Now with ultraviolent zombie mayhem!," by Jane Austen and Seth Grahame-Smith | Details HTML |
| Craig B. Jacobsen | ||
| Vol 13 (2013) | Professionalism: Hyperrealism and play | Abstract HTML |
| Amanda Odom | ||
| Vol 15 (2014) | Promoting fan labor and "all things Web": A case study of Tosh.0 | Abstract HTML |
| Rose Helens-Hart | ||
| Vol 11 (2012) | "Queer as Folk" and the trouble with slash | Abstract HTML |
| Kyra Hunting | ||
| Vol 11 (2012) | Queer bandom: A research journey in eight parts | Details HTML |
| D. Wilson | ||
| Vol 9 (2012) | Queer video remix and LGBTQ online communities | Details HTML |
| Elisa Kreisinger | ||
| Vol 14 (2013) | "Reclaiming fair use," by Patricia Aufderheide and Peter Jaszi | Abstract HTML |
| Josh Johnson | ||
| Vol 12 (2013) | Reflection on Chinese boys' love fans: An insider's view | Details HTML |
| Erika Junhui Yi | ||
| Vol 9 (2012) | Remix video and the crisis of the humanities | Abstract HTML |
| Kim Middleton | ||
| Vol 4 (2010) | Renegotiating religious imaginations through transformations of "banal religion" in "Supernatural" | Abstract HTML |
| Line Nybro Petersen | ||
| Vol 3 (2009) | Repackaging fan culture: The regifting economy of ancillary content models | Details HTML |
| Suzanne Scott | ||
| Vol 13 (2013) | Revisioning the smiling villain: Imagetexts and intertextual expression in representations of the filmic Loki on Tumblr | Abstract HTML |
| Kayley Thomas | ||
| Vol 12 (2013) | Rotten use patterns: What entertainment theories can do for the study of boys' love | Abstract HTML |
| Björn-Ole Kamm | ||
| Vol 4 (2010) | "Scare tactics: Supernatural fiction by American women," by Andrew Jeffrey Weinstock | Details HTML |
| Germán Gil-Curiel | ||
| Vol 2 (2009) | "Second person: Role-playing and story in games and playable media," edited by Pat Harrigan and Noah Wardrip-Fruin | Details HTML |
| John Finlay Kerr | ||
| Vol 3 (2009) | Sex detectives: "Law & Order: SVU"'s fans, critics, and characters investigate lesbian desire | Abstract HTML |
| Julie Levin Russo | ||
| Vol 15 (2014) | Sherlockology and Galactica.tv: Fan sites as gifts or exploited labor? | Abstract HTML |
| Bertha Chin | ||
| Vol 6 (2011) | Silence in the library: Archives and the preservation of fannish history | Details HTML |
| - Versaphile | ||
| Vol 12 (2013) | Simulation and database society in Japanese role-playing game fandoms: Reading boys' love "dōjinshi" online | Abstract HTML |
| Lucy Hannah Glasspool | ||
| Vol 3 (2009) | Sites of participation: Wiki fandom and the case of Lostpedia | Abstract HTML |
| Jason Mittell | ||
| Vol 3 (2009) | Snogs of innocence, snogs of experience | Details HTML |
| Dana Shilling | ||
| Vol 14 (2013) | So bad it's good: The "kuso" aesthetic in "Troll 2" | Abstract HTML |
| Whitney Phillips | ||
| Vol 6 (2011) | "So oft to the movies they've been": British fan writing and female audiences in the silent cinema | Abstract HTML |
| Lisa Rose Stead | ||
| Vol 1 (2008) | Soap operas and the history of fan discussion | Abstract HTML |
| Sam Ford | ||
| Vol 2 (2009) | Social dimensions of expertise in "World of Warcraft" players | Abstract HTML |
| Mark Chen | ||
| Vol 14 (2013) | Spreadable fandom | Abstract HTML |
| TWC Editor | ||
| Vol 14 (2013) | "Spreadable media: Creating value and meaning in a networked culture," by Henry Jenkins, Sam Ford, and Joshua Green | Abstract HTML |
| Melissa A. Click | ||
| Vol 9 (2012) | Spreading the cult body on YouTube: A case study of "Telephone" derivative videos | Abstract HTML |
| Agnese Vellar | ||
| Vol 7 (2011) | Stranger than fiction: Fan identity in cosplay | Abstract HTML |
| Nicolle Lamerichs | ||
| Vol 14 (2013) | Sub*culture: Exploring the dynamics of a networked public | Abstract HTML |
| Simon Lindgren | ||
| Vol 7 (2011) | Subverting the canon in feminist fan fiction | Details HTML |
| Hui Min Annabeth Leow | ||
| Vol 4 (2010) | "Supernatural" bodies: Writing subjugation and resistance onto Sam and Dean Winchester | Details HTML |
| Suzette Chan | ||
| Vol 4 (2010) | "Supernatural role playing game," by J. Chambers | Details HTML |
| Douglas Schules | ||
| Vol 7 (2011) | Taking a bite out of "Buffy": Carnivalesque play and resistance in fan fiction | Abstract HTML |
| Amanda L. Hodges, Laurel P. Richmond | ||
| Vol 1 (2008) | "Teen television: Essays on programming and fandom," edited by Sharon Marie Ross and Louisa Ellen Stein | Details HTML |
| Mary Dalton | ||
| Vol 9 (2012) | "Television and new media: Must-click TV," by Jennifer Gillan | Details HTML |
| Lindsay Giggey | ||
| Vol 6 (2011) | Textual evidence of fandom activities: The fanzine holdings at UC Riverside's Eaton Collection | Details HTML |
| Regina Yung Lee | ||
| Vol 6 (2011) | The Contraband Incident: The strange case of Marion Zimmer Bradley | Details HTML |
| Catherine Coker | ||
| Vol 10 (2012) | The absence of fan activism in the queer fandom of Ho Denise Wan See (HOCC) in Hong Kong | Abstract HTML |
| Cheuk Yin Li | ||
| Vol 13 (2013) | The advocacy of Steve Rogers (aka Captain America), as seen in hetrez's "Average Avengers Local Chapter 7 of New York" | Abstract HTML |
| Babak Zarin | ||
| Vol 2 (2009) | The Army rolls through Indianapolis: Fieldwork at the Virtual Army Experience | Abstract HTML |
| Robertson Allen | ||
| Vol 2 (2009) | The birth of a community, the death of the win: Player production of the "Middle-earth Collectible Card Game" | Details HTML |
| Joe Bisz | ||
| Vol 16 (2014) | The butcher, the baker, the lightsaber maker | Abstract HTML |
| Forrest Phillips | ||
| Vol 15 (2014) | The cultural economics of performance space: Negotiating fan, labor, and marketing practice in Glee’s transmedia geography | Abstract HTML |
| Matthias Stork | ||
| Vol 1 (2008) | "The epic love story of Sam and Dean": "Supernatural," queer readings, and the romance of incestuous fan fiction | Abstract HTML |
| Catherine Tosenberger | ||
| Vol 2 (2009) | The everyday lives of video game developers: Experimentally understanding underlying systems/structures | Abstract HTML |
| Casey O'Donnell | ||
| Vol 6 (2011) | The fan letter correspondence of Willa Cather: Challenging the divide between professional and common reader | Abstract HTML |
| Courtney A. Bates | ||
| Vol 2 (2009) | The friends that game together: A folkloric expansion of textual poaching to genre farming for socialization in tabletop role-playing games | Abstract HTML |
| Michael Robert Underwood | ||
| Vol 7 (2011) | "The function of role-playing games," by Sarah Lynne Bowman | Details HTML |
| Sean Duncan | ||
| Vol 3 (2009) | The future of academic writing? | Details HTML |
| Avi Santo | ||
| Vol 10 (2012) | The German federal election of 2009: The challenge of participatory cultures in political campaigns | Abstract HTML |
| Andreas Jungherr | ||
| Vol 16 (2014) | The heterogeneity of maid cafés: Exploring object-oriented fandom in Japan | Abstract HTML |
| Luke Sharp | ||
| Vol 4 (2010) | The Impala as negotiator of melodrama and masculinity in "Supernatural" | Abstract HTML |
| Melissa N. Bruce | ||
| Vol 16 (2014) | The invisible teenager: Comic book materiality and the amateur films of Don Glut | Abstract HTML |
| Matt Yockey | ||
| Vol 3 (2009) | The labor of creativity: Women's work, quilting, and the uncommodified life | Abstract HTML |
| Debora J Halbert | ||
| Vol 7 (2011) | The "lover" and early modern fandom | Details HTML |
| Vera Keller | ||
| Vol 3 (2009) | The magic of television: Thinking through magical realism in recent TV | Details HTML |
| Lynne Joyrich | ||
| Vol 15 (2014) | The media festival volunteer: Connecting online and on-ground fan labor | Abstract HTML |
| Robert Moses Peaslee, Jessica El-Khoury, Ashley Liles | ||
| Vol 11 (2012) | The mediation of fandom in Karin Giphart's "Maak me blij" | Abstract HTML |
| Nicolle Lamerichs | ||
| Vol 1 (2008) | "The new influencers," by Paul Gillin | Details HTML |
| Barna William Donovan | ||
| Vol 12 (2013) | The possibilities of research on "fujoshi" in Japan | Details HTML |
| Midori Suzuki | ||
| Vol 7 (2011) | "The rabid fans that take [Twilight] much too seriously": The construction and rejection of excess in Twilight antifandom | Abstract HTML |
| Jacqueline Marie Pinkowitz | ||
| Vol 9 (2012) | The rhetoric of remix | Abstract HTML |
| Virginia Kuhn | ||
| Vol 5 (2010) | The romanticization of abstinence: Fan response to sexual restraint in the Twilight series | Details HTML |
| Jennifer Stevens Aubrey, Elizabeth Behm-Morawitz, Melissa A. Click | ||
| Vol 9 (2012) | The Star Wars franchise, fan edits, and Lucasfilm | Details HTML |
| Forrest Phillips | ||
| Vol 13 (2013) | The super politics of comic book fandom | Abstract HTML |
| Matthew J. Costello | ||
| Vol 9 (2012) | The two-source illusion: How vidding practices changed Jonathan McIntosh’s political remix videos | Details HTML |
| Martin Leduc | ||
| Vol 1 (2008) | The unlearning: Horror and transformative theory | Abstract HTML |
| Michael A. Arnzen | ||
| Vol 3 (2009) | The Web planet: How the changing Internet divided "Doctor Who" fan fiction writers | Abstract HTML |
| Leora Hadas | ||
| Vol 8 (2011) | "The young and the digital," by S. Craig Watkins | Details HTML |
| Melanie Kohnen | ||
| Vol 10 (2012) | Theorizing a public engagement keystone: Seeing fandom's integral connection to civic engagement through the case of the Harry Potter Alliance | Abstract HTML |
| Ashley Hinck | ||
| Vol 5 (2010) | "This isn't something I can fake": Reactions to "Glee"'s representations of disability | Details HTML |
| David Kociemba | ||
| Vol 4 (2010) | Tlon, fandom, and source texts: The effect of fan works on the narrative of "Supernatural" | Details HTML |
| Deepa Sivarajan | ||
| Vol 10 (2012) | Too fat to fly: A case study of unsuccessful fan mobilization | Abstract HTML |
| Tom Phillips | ||
| Vol 2 (2009) | "Too Human" versus the enthusiast press: Video game journalists as mediators of commodity value | Abstract HTML |
| Rebecca Carlson | ||
| Vol 13 (2013) | Toward a feminist superhero: An interview with Will Brooker, Sarah Zaidan, and Suze Shore | Abstract HTML |
| Kate Roddy, Carlen Lavigne, Suzanne Scott | ||
| Vol 9 (2012) | Toward an ecology of vidding | Abstract HTML |
| Tisha Turk, Joshua Johnson | ||
| Vol 14 (2013) | Trans-cult-ural fandom: Desire, technology and the transformation of fan subjectivities in the Japanese female fandom of Hong Kong stars | Abstract HTML |
| Lori Hitchcock Morimoto | ||
| Vol 1 (2008) | Transforming academic and fan cultures | Details HTML |
| TWC Editor | ||
| Vol 14 (2013) | Translation, interpretation, fan fiction: A continuum of meaning production | Abstract HTML |
| Shannon K. Farley | ||
| Vol 8 (2011) | Transmedial texts and serialized narratives | Details HTML |
| Maria Lindgren Leavenworth | ||
| Vol 12 (2013) | Transnational boys' love fan studies | Abstract HTML |
| Kazumi Nagaike, Katsuhiko Suganuma | ||
| Vol 12 (2013) | Transplanted boys' love conventions and anti-"shota" polemics in a German manga: Fahr Sindram's "Losing Neverland" | Abstract HTML |
| Paul M. Malone | ||
| Vol 8 (2011) | (Un)gendering the homoerotic body: Imagining subjects in boys' love and yaoi | Abstract HTML |
| Mark McHarry | ||
| Vol 10 (2012) | Up, up, and away! The power and potential of fan activism | Details HTML |
| Henry Jenkins, Sangita Shresthova | ||
| Vol 9 (2012) | Vidding and the perversity of critical pleasure: Sex, violence, and voyeurism in "Closer" and "On the Prowl" | Abstract HTML |
| Sarah Fiona Winters | ||
| Vol 4 (2010) | What are little ghouls made of? The "Supernatural" family, fandom, and the problem of Adam | Details HTML |
| Kristin Noone | ||
| Vol 4 (2010) | "What you don't know": "Supernatural" fan vids and millennial theology | Details HTML |
| Louisa Ellen Stein | ||
| Vol 5 (2010) | When normal and deviant identities collide: Methodological considerations of the pregnant acafan | Abstract HTML |
| Mary Ingram-Waters | ||
| Vol 12 (2013) | Where program and fantasy meet: Female fans conversing with character bots in Japan | Details HTML |
| Keiko Nishimura | ||
| Vol 6 (2011) | "White shoes to a football match!": Female experiences of football's golden age in England | Abstract HTML |
| Stacey Pope, John Williams | ||
| Vol 13 (2013) | Who is afraid of a black Spider(-Man)? | Abstract HTML |
| Ora C. McWilliams | ||
| Vol 8 (2011) | Whodology: Encountering "Doctor Who" fan fiction through the portals of play studies and ludology | Abstract HTML |
| Charles William Hoge | ||
| Vol 8 (2011) | Why we should talk about commodifying fan work | Details HTML |
| Nele Noppe | ||
| Vol 1 (2008) | Women, "Star Trek," and the early development of fannish vidding | Abstract HTML |
| Francesca Coppa | ||
| Vol 10 (2012) | Wonder Woman for a day: Affect, agency, and Amazons | Abstract HTML |
| Matt Yockey | ||
| Vol 12 (2013) | "Writing the love of boys: Origins of 'bishōnen' culture in modernist Japanese literature," by Jeffrey Angles | Abstract HTML |
| Emerald King | ||
| Vol 16 (2014) | Written on the body: Experiencing affect and identity in my fannish tattoos | Abstract HTML |
| Bethan Jones | ||
| Vol 2 (2009) | “Once more a kingly quest”: Fan games and the classic adventure genre | Abstract HTML |
| Anastasia Marie Salter | ||
| Vol 3 (2009) | “The Hunt for Gollum”: Tracking issues of fandom cultures | Details HTML |
| Robin Anne Reid | ||
| 1 - 275 of 275 Items | ||
Transformative Works and Cultures (TWC), ISSN 1941-2258, is an online-only Gold Open Access publication of the nonprofit Organization for Transformative Works copyrighted under a Creative Commons Attribution-Noncommercial 3.0 Unported License. Contact the Editor with questions.